Monday, May 21, 2007

Lebanon (bis repetita placent): peace and Sister Keyrouz



Sister Marie Keyrouz, a Lebanese-born Maronite Christian, is one of these all-round people who continually amaze: she holds a Ph.D. in Religious Anthropology as well as in Musicology from the Sorbonne University and she sings. Her repertoire is one at a crossroads between East and West, between Maronite, Byzantine or Aramean songs and Ambrosian or Gregorian ones; it also includes classical pieces of sacred music by composers such as Mozart, Bach or Gounod. Her musical strategy is to recycle rhythms and melodies, tempos and techniques that date back to the beginning of our era.
She founded the "Ensemble de la Paix" in 1984 during the civil war in Lebanon, a multicultural, multiconfessional orchestra that defies political, racial and political categories. She then went on to create "Enfance pour la Paix", a charity which aims at fighting ignorance and poverty, mothers of all evils in her opinion. All profits made from her concerts and CD's go towards it.
It was for a such fund-raising evening that she organised a Christmas concert at the UNESCO in Paris last December. A very emotional occasion indeed after the assassinations of high-profiles Lebanese political figures (in the Gemayel and Hariri dynasties) and the occupation and attack of South Lebanon by the Israeli Army.
Let us hope that an end can be put to this constant spiral of violence and attacks in the country: they must be stopped in order to avoid a complete collapse of Lebanon.
"Singing is praying twice", Sister Marie Keyrouz said...

Saturday, May 12, 2007

Confessions

Amy Winehouse's latest album entitled "Back to black" is a very short one: 11 songs in about half an hour. This half-hour is extremely dense, on many levels: first in terms of music, since this young Jewish singer from North London captured the sound of Motown Records and worked in a short space of time with the likes of Marc Ronson (currently enjoying a clear public success with "Stop Me") to create a very soul yet contemporary feel and atmosphere. Trumpets and bass-guitar, as in "He Can Only Hold Her", convey a rich instrumental accompaniment and congratulate Amy's deep voice. Hers is particularly unique: effortless, adaptable, high- and low-pitched, it narrates and sings autobiographical confessions, about love (and its labour lost), addiction (the last song of the album) and alcohol. Alcohol which is still an issue in "Rehab" and today, since she has cancelled concerts at the Sheperd's Bush Empire, London and one at the Trabendo, Paris. One is drawn into very intimate lyrics: the mastership is such that this (only) second album smacks of a great professional experience. On another level, it is a tour de force, since it was recorded in a few weeks. Voice, music, instruments and engrossing lyrics concur to make a very personal album a shared public success.
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